Wanderung 14

The Plane to Spain replaced by the Bounding Main!

April-May 2007

Day 21: Monday May 7 2007, Chillida Museum in Hernani, Spain

Noon Position: 43 degrees 17.369' N latitude, 002 degrees 09.614' W longitude (Zarautz, Spain)

Bob:

The morning sky was a solid gray overcast with low-level haze and occasional light drizzle. We ate breakfast in our room and walked over to the Post Office to mail off the post cards which had addresses that we were fairly certain about, but the weather obstinately remained overcast. With the obscured visibility it did not make sense to drive around and "see the sights", so we decided to visit a museum instead. Frommer's gave a good review of the Chillida sculpture museum in Hernani, which was only 11 kilometers down the (toll) road, so that's where we headed for the morning.

The Chillida Sculpture Museum had two major sections: a park with walking trails where the larger sculptures were displayed and what looked like a converted barn where the smaller and more fragile pieces were displayed. I was allowed to take all the pictures I wanted in both display areas, but the nice thing about the outdoor display area was that people are allowed to touch the sculptures (although not climb on them). The outdoor sculptures were massive, modern pieces made from heavy slabs of steel or blocks of stone, and I did enjoy feeling the surface texture of each piece.

Modern art is not usually, as Wanderung readers know, one of my favorite things, but I liked these sculptures because they seemed to have a sense of humor. Some of the big outdoor sculptures just invited you to stand inside them and peer out. Others had a carved-out part that looked for all the world like some kind of massive chair and I just had to sit in them. I could see why they prohibited climbing on the sculptures because there were a couple of pieces where the climbing option would have been tempting had it been allowed.

We couldn't read the plaques, of course, since they were all in the Basque language and that is a really foreign tongue totally unrelated to Spanish or any western European language. But I still sometimes got the feeling that I had an inkling of what the piece of sculpture was supposed to represent. One piece, for example, looked both to Monika and me like the head of an elephant complete with trunk and ears. Another piece was a huge steel box with a chute coming down into the upper corner, and that looked very much like a garbage dumpster. Now why someone would want to commemorate a garbage dumpster in a sculpture is still a mystery to me, but this is after all modern art so I guess anything goes.

Monika:

It was grey this morning, our pension was comfortable, reasonable, and had free internet, so we decided to put in a "down" day and stay another night, postponing our trip to San Sebastian to tomorrow. Today we decided to follow Frommer's advice again and look at a sculpture garden in Hernani about 15 kilometers from Zarautz. There were plenty of signs, but it still took us a drive by and turn-around to find it. But once there we again agreed with Frommer's, it was well worth it.

The place contained the works of local sculptor Eduardo Chillida. His biggest work is in the bay of San Sebastian called "Wind comb". The museum contained about 20 sculptures in a large parklike area and another 15 smaller ones in an old barn. We walked around all of them, enjoying them and taking pictures. The whole park reminded me of the Vigelund Park in Oslo, Norway.


 


 

Bob:

The indoor display area had a whole set of torso sculptures from the artist's early days, and those were noticeably more curved and human-shaped than the blocky geometric sculptures that typified his later period. The later pieces looked Cubist in basic concept but with a lot of incision of motifs and patterning that I don't think typify mainstream Cubism, if there is such a thing. (I suppose I could ask Fidel Castro about the Cubism, of course, but it's illegal to travel there right now so don't get your hopes up, Wanderungs fans!) But back to Spain. The converted barn was in itself remarkable because of the huge support beams apparently hewn from tree trunks and carefully notched to fit together in a rather complex way.

I also saw some sculptures hanging from the wall there that seemed to be constructed of some very thick fabric, maybe felt. But I could not be absolutely sure what they were not thick leather or some other material since we were not allowed to touch anything in the indoor display area. Also on the wall were flat blocks with sharply delineated shapes painted on them, and these reminded me very much of our niece Kim's current artwork. We both thought she might really like to have a look at them if she ever is in the area. One picture that intrigued me was a picture of 7 children dressed in sailor suits ranging from maybe about 10 years old down to two. I wondered if Eduardo Chillida was either one of those children, or, alternatively, if he and his wife Pili had those seven children, but I couldn't find any caption to disambiguate the issue.

In some ways, the Chillida Museum reminded me of Vigelund's sculpture park in Oslo, Norway, that we had seen on our drive up to the North Cape in 1985, because it had rather large pieces of sculpture carefully arranged in a park like setting. But the types of sculpture displayed in the two parks is distinctly different. Vigelund was, as I recall, active in the early 1900s and his sculptures are very vivid and often intricate recreations of people, animals, and events. Chillida's work dates from the late 1940s through 2000 and is far more abstract and minimalist, particularly in the more recent work. I'm very glad that I've had a chance to visit both and having seen them it makes me wonder if there are any other "sculpture parks" out there with a collection of pieces derived from one sculptor. If anyone reading this knows about others, please let me know.

Bob:

Since we had both liked a lot of the pieces, we stopped off in the small gift shop on our way out, which gained us a very nice mug, bookmark, and refrigerator magnets. but also set us back about 30 Euro. Although there are restaurants, cafes, and bars for eating pretty much everywhere in Spain, there was only a couple of lonely vending machines at the exit to the museum and we were hungry for a real meal. The weather was still yucky, so we drove back to Zarautz where we knew some of the restaurants offered either an English menu or alternatively pictures of the meals that would help us order. In the end we decided on a kabob place just down the block from our pension, and our meal was very filling and a complete change from our normal fare of sandwiches.

Returning to the pension, I worked on the journal while Monika retrieved things from the car, and then we spent the afternoon updating our journals, communicating via email, reading and, in my case, napping. The curious thing is that the spread of internet service made it much easier to keep in touch with the folks back home while we are traveling, which is really very nice. Out of five hotels in our first week of travel, two offered free WiFi, two offered free Internet via an Ethernet type of cable (which I had providentially brought along), and one only offered a pay Internet service at the rate of 1 Euro per 15 minutes. The town of Zarautz even offered free WiFi for everyone in the beach area; I saw one guy there with his laptop popped open and he was apparently getting a decent connection.

Around 6 p.m. the clouds started to thin out and the sun shined through a bit, so we went out for an evening perambulation. First we wandered over to the train station and there we found that the cities in this coastal region are connected by an electric rail network just like the towns in the Barcelona area. Prices for transport between the cities were quite reasonable and cheap rail transport would definitely beat driving in my book. We also checked out that the ticket machines had an option for giving instructions in English that actually make sense. If we ever come back without a car, we would definitely use the rail network to move about.

Walking back across Zarautz we decided to take the walkway that lead off to the west from the beach area. That turned out to be quite a walk because after rounding the rocky promontory we saw that the walkway was built alongside the highway up to the next town. Since the road and walkway were being reconstructed the day we were there, we didn't try to walk all the way to the next town but I would estimate it as a 5 kilometer walk. Doubling back, we really enjoyed the grand vista of the Atlantic and waves crashing against the rocks below us as we walked back to our pension. Unfortunately, it wasn't until we got back that we thought about the fact that we didn't have anything for the next day's breakfast, so we dragged ourselves back into town, found a grocery store, and bought some bread, juice, fresh strawberries, and peach yogurt for breakfast. After lugging that back to our room, we were exhausted and just flopped into bed for a good night's sleep.

Monika:

After leaving the museum we just came back to Zarautz, had lunch at a kebab place and rested. After our evening meal (sandwiches) we went for a long walk, first through the town to the train station. We found out, that it is indeed possible to catch a train to San Sebastian about every 1/2 hour for just 1.30 Euro each way. So this is really not a bad place to be without a car.

On the way back we passed the music school with a statue of Pablo Casals surrounded by cellos. We walked back to the beach and from there along the promonade to a walkway between road and ocean that went past two tunnels until it ended. But they were working on extending it and in a year one should be able to walk to the next village. The sea was calm and it was a very peaceful walk.


 

Copyright 2007 by R. W. Holt and E. M. Holt
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